Carlo Colombara is an Italian operatic bass. He has sung leading roles in many major opera houses including Teatro alla Scala (Milan, Italy); the Vienna State Opera (Vienna, Austria); the Real Teatro di San Carlo (Naples, Italy); the Arena di Verona (Verona, Italy); the Royal Opera House (London, United Kingdom), and The Metropolitan Opera (New York City).

Colombara began his training at age twelve with piano lessons and began singing from age fifteen, studying with Paride Venturi in Bologna. In 1986 he won the prize for the best Italian singer in the G.B. Viotti competition and the following year he won the As.Li.Co. competition in Milan.

He then made his professional début as Silva in Giuseppe Verdi’s Ernani at the Teatro dell’Opera di Roma (Rome, Italy). With Zubin Mehta conducting, he performed in an open-air production of Giacomo Puccini’s Turandot in the Forbidden City, (Beijing, China), which was recorded and broadcast worldwide.

He has sung in the most important theaters in the world: Wiener Staatsoper, Metropolitan Opera of New York City, Teatro Colón de Buenos Aires, Opéra Bastille in Paris, Covent Garden in London, Arena di Verona, Maggio Musicale Fiorentino and many others.

He collaborated with many important conductors: Riccardo Chailly, Myung-Whun Chung, Colin Davis, Gianandrea Gavazzeni, Carlo Maria Giulini, Eliahu Inbal, Lorin Maazel, Zubin Mehta, Riccardo Muti, Antonio Pappano, Michel Plasson, Georges Prêtre, Wolfgang Sawallisch, Philippe Auguin, Giuseppe Sinopoli, and Georg Solti.

In recent years, he débuted in the roles of Mefistofele of Arrigo Boito, Escamillo in Carmen, Don Pasquale, the four bass roles in Les contes d’Hoffmann and Don Giovanni. In 2012, he débuted in the role of Scarpia in Puccini’s Tosca in Prague and Parma.

In 2013 Verdi’s bicentenary−he interpreted the Messa da Requiem with the Boston Symphony Orchestra in Boston, at the Southbank Centre for the Royal Festival Hall in London and at the Savonlinna Opera Festival.

In 2014, he débuted in the new work of Kolonovits “El Juez” with José Carreras at the Teatro Arriaga in Bilbao. He also performed in Simon Boccanegra in Piacenza and Modena, and in celebrations of the great Bulgarian bass Boris Christoff at the Theatre of Sofia; in three productions (Aida, Nabucco, Don Carlo) and Verdi’s Requiem under the direction of Antonio Pappano in Birmingham and London.

In 2015, he sang Aida, La Bohéme and Verdi’s Messa da Requiem in Teatro alla Scala di Milano with Zubin Mehta, Aida in Arena di Verona, Maria Stuarda in Paris, Messa da Requiem in Gasteig, Munich and in Prague, and in the big concert in memory of Elena Obraztsova in the Bolshoi Theater in Moscow, the only Italian artist invited to sing.

In the 2016, season he sang in Rigoletto at La Scala in Milano, Oroveso in Norma at the Teatro San Carlo in Napoli and Aida in Moscow in a concert with Zubin Mehta, Nabucco, Macbeth in Brussels, Faust in Zagreb and the debut in Boris Godunov in Bulgaria.

In 2017, after the successes in Modena (Attila) in Montecarlo (Simon Boccanegra) and at the Teatro alla Scala in Milan (Anna Bolena and La Bohème) he was awarded in December 2017 with the International Opera Award – Oscar della Lirica as best bass of the year during an important tour in China.

In the year 2018 he is still protagonist at the Teatro alla Scala in Milan (Aida) then Don Giovanni at the Opera of Belgrade and at the Roman Opera of Craiova, the Count of Walter at the Staatsoper in Hamburg in Luisa Miller and the role of Raimondo in Lucia di Lammermoor at the Seoul Opera Art in Korea.

In addition to the operatic side, Colombara undertook an intense activity as concert performer, performing many different times Verdi’s Messa da Requiem in cities such as Florence, Rome, London, Naples, Paris and Modena − the latter in memory of Luciano Pavarotti, with whom he appeared in the last Requiem performed by Pavarotti.