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Dario Salvi is a British-Italian conductor, researcher and musicologist. He is widely regarded as a fast-rising name in opera and operetta, and is known for his expressive gestures and precision of style.

A specialist in the restoration, recording and performance of rare Viennese works, comic opera, ballet and orchestral music, he is a busy recording artist with Naxos, and has completed projects documenting forgotten works by J. Strauss II, Auber, Meyerbeer, Humperdinck and more. He has been awarded a Lifetime Honorary Member of the Johann Strauss Society of Great Britain for his extensive contribution to Viennese music.

Salvi has guest conducted and recorded opera and operetta across Europe, the Middle East and the USA, including the closing concerts of the Zagreb Philharmonic’s 2018/19 Season, for which he received outstanding reviews:

[Salvi] is certainly the most astonishing phenomenon that has emerged recently with us. A real ballet master of the conductor’s baton, with big gestures, very expressive, sometimes with theatrical mimicry in communication with the orchestra, he was excellent in transferring his ideas to the orchestra. And these ideas were clearly dictated by his own taste, but also closely to the taste of the audience.’(Jutarnji list, Croatia, 2019)

Other recent performance highlights include: his work with Willy Bietak Productions as music director and consultant on an opera ice skating show, commissioned by Royal Opera House Muscat in 2018; concerts with Katia Guerreiro, one of the world’s leading Fado singers, and the Zagreb Philharmonic; and his guest performances for the closing of Winter Opera St Louis’ 2019/20 Season, “La Fanciulla del West”.

Maestro Salvi is guest conductor and partner of Metamorphosis Chamber Orchestra in New York, and principal guest conductor for Concert Operetta Theater in Philadelphia. He has worked, amongst others, with Prague Philharmonia (CZ), Czech Chamber Orchestra (CZ), Sofia Philharmonic Orchestra and Chorus (BG), Malmö Opera (SE), Moravian Philharmonic Orchestra (CZ), Neue Preußische Philharmonie (DE), Orchestra Al Chiaro di Luna (IT) and Ruse State Opera (BG). He has also worked with singers such as Markus Werba, Jorge Pita Carreras, Andrea Chudak, Gaia Petrone, Francisco Brito and Ira Lauren.

Born in Northern Italy and currently residing in Scotland, Salvi has received musical training in both Italy and the UK. After studying soprano saxophone with S. Cecilia Philharmonia, he became an in-demand saxophonist and alto clarinet player and worked with many bands as a performer and arranger, also holding the position of Director of Music in the Alpine Troops of the Italian Army. He is a professional bass guitarist and has toured the world playing for bands and orchestras. He received a Bachelor of Science degree in Applied Psychology from the University of Derby (UK) in 2011, followed by a Master of Music in Conducting from the University of East Anglia (UK) in 2012.

Salvi has published three books on Viennese operetta on Cambridge Scholars Publishing, and his musical arrangements are available on Musica Mundana and DaVinci Publishing. His orchestral arrangements, including opera and ballet, have been commissioned by the Royal Philharmonic Orchestra (UK), Moscow State Symphony Orchestra (RU), Düsseldorf Symphoniker (DE), Las Colinas Symphony Orchestra (US), The Salvation Army Orchestra (UK) and the Original C.M. Ziehrer Orchester (AT).

“Salvi’s tempos all move smartly: he’s a conductor with a fine sense of Strauss’s style and knows how to pace things well.”
The Arts Fuse
United States
“The first merit goes Maestro Dario Salvi, who lovingly lives, vibrates the dazzling music of Johann Strauss, first by knowing how to do it and ‘breath’ by animating the right tempo, against the current trend to rush, and on the other hand, without ever forcing it either in brilliant or in reverse: restraints, irrelevant nuances.”
Operetta Research Center
Netherlands/Germany
“In Blindekuh, Dario Salvi proves his understanding of music that requires a mix of colors, nuances that are both delicate, tender and removed rhythms.”
Crescendo Magazine
France
“Salvi leads the production with genuine enthusiasm, pacing all the music sensibly and sensitively and eliciting fine singing from the chorus and delightfully bouncy playing from the Sofia Philharmonic Orchestra.”
INFODAD

Upcoming Events

July / August 2019

MALMÖ OPERA, SWEDEN
Recordings with Naxos, including:
Humperdinck – Der Kauffman von Venedig
Bronsart – Jery und Bätely​ 

 

November / December 2019

OLOMOUC PHILHARMONIC ORCHESTRA, CZECH
REPUBLIC
Recordings with Naxos, including:
Auber – Overtures
Lortzing & Marschner – Overtures and Baritone Arias with Markus Werba

 

January 7-11, 2020

SOFIA PHILHARMONIC ORCHESTRA AND CHORUS,
BULGARIA
Performance and recording with Naxos:
Strauss II – Waldmeister

 

February / March 2020

WINTER OPERA ST LOUIS, USA
Puccini – La Fanciulla del West (opera)

 

March 2020

PRAGUE PHILHARMONIA PKF
Performance and recording with Naxos of:
Lindpaintner – Danina (oder Joko, der Brasilianische Affe) – Ballet

May 16, 2020

MALTA PHILHARMONIC ORCHESTRA
Paolino Vassallo – Edith Cavell (opera) – Pjazza Teatru Rjal (La Valletta)

June 2020

CONCERT OPERETTA THEATER, USA
Rumshinsky – The Broken Violin (Yiddish operetta)

July 12, 2020

SOFIA PHILHARMONIC ORCHESTRA AND CHORUS
Performance and recording with Naxos:
Fran von Suppé – Die Afrikareise (opera)

September 2020

SOFIA PHILHARMONIC ORCHESTRA AND CHORUS
Meyerbeer – Wirth und Gast (oder Alimelek) (opera)

December 2020

TUCSON, USA
Monti – Noel de Pierrot (mimodrame)

December 2020

SOFIA PHILHARMONIC ORCHESTRA
Performance and recording with Naxos of:
Bayer – Der Kinder Weihnachtstraum (Ballet)