Robin Bradley


"Robin Bradley (Lucretia) and David Govertsen (Collatinus) exhibited perfect Britten-styling; they could have “sung” it, but instead they “spoke” to each other, rewarding themselves and us with a living, theatrical moment, and revealing Britten’s matching, mystical lyricism.” — NewCity Stage

"Robin Bradley (Lois Lane/Bianca) sang and acted her part well, and her comical facial play and body language reminded the writer somewhat of the long lamented Broadway legend Fanny Brice..." — Pittsburgh in the Round

"Supporting roles are all strongly filled. Robin Bradley as Emilia, Zachary Devin as Cassio, Clark Sturdevant as Roderigo and Winston Sullivan as Montano all do excellent work." — KDHX Community Media


Praised for her “very colorful, interesting and beautiful instrument,” Mezzo Soprano Robin Bradley has performed in venues across the nation, ranging from Carnegie Hall to Michigan's cherished Hill Auditorium to the historic Sanders Theater in Cambridge, MA.

Operatic highlights include covering the title role in Carmen with Cedar Rapids Opera Theatre and singing the title role in Britten's The Rape of Lucretia, after which Robin made her debut with Winter Opera Saint Louis as Emilia in their 2015 production of Otello. This past summer, Ms. Bradley covered The Marquise of Birkenfeld in La fille du régiment with Martina Arroyo's Prelude to Performance program. Summer 2016 saw her debut with Opera Theater Pittsburgh as Lois Lane in Kiss Me, Kate and covering Carlotta in Die schweigsame Frau. This fall, Ms. Bradley will sing at the Lyric Opera of Chicago in the chorus of Les Troyens, after which she will return to Winter Opera Saint Louis to sing Tisbe in their Winter 2017 production of La Cenerentola. Robin has also served as a company apprentice of Flamenco Chicago, the professional company of acclaimed dancer and choreographer Rosetta Magdalen.

Additional roles include Ottavia in L'Incoronazione di Poppea with the Manhattan Summer Voice Festival, Madame de la Haltière in Massenet’s Cendrillon, Tisbe in La Cenerentola, Third Lady in Die Zauberflöte with Candid Concert Opera, La Zia Principessa in Suor Angelica, Marcellina in Le Nozze di Figaro, Kate in The Ballad of Baby Doe, The Witch & Mother in Chicago Opera Playhouse's outreach production of Hansel and Gretel and Peep-Bo in The Mikado with Cedar Rapids Opera Theatre. Concert work includes the alto soloist in Mendelssohn's Elijah and Handel's Messiah.

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Bio & Resume


"Va! Laisse couler mes larmes"

"Acerba voluttà"

"Witch's aria from Hänsel und Gretel"